“Stop! In The Name of Love” by The Supremes
Undoubtedly one of the catchiest pop songs of all time.
Programming note: It’s Motown Hits Week! This week, I’m writing about five R&B classics that sold millions of copies for the world-famous label. Unlike other themed weeks, these songs are all massive hits and will likely be recognizable to many of you. If you’re new to or unfamiliar with Motown and its rich history, this week’s content is also a great starting point. All killer, no filler … not to mention some of the best vibes around.
Hope you enjoy it!
Hello! 😊👋
Welcome to a new edition of the Best Music of All Time newsletter!
Today’s music pick is peak Diana Ross and the Supremes, on top of being one of the catchiest pop songs ever.
Genre: Pop, R&B
Label: Motown
Release Date: February 8, 1965
Vibe: ✋🛑
If there’s ever been a single sonic proxy for what made Motown’s collection of hits so timeless, it’s “Stop! In The Name of Love.”
The song was written by the label’s famous trio of Lamont Dozier and brothers Eddie and Brian Holland, the same scribes who also penned hits for Martha and the Vandellas, the Miracles, the Temptations, and many others. Historically, it’s one of many unforgettable Motown singles that, for as bright and breezy as the music is, the lyrics take a darker, more paranoid turn. Here, the protagonist knows of her man’s philandering ways and pleads with him to think about the consequences (”But is her sweet expression/Worth more than my love and affection?”).
It’s telling that write-ups from that era described the track as “a rousing, shufflin’ pop-blues romancer about a gal who cautions her boyfriend to go a little bit slower,” a reminder of how male-dominated the thinking about pop music was back then. It’s through that lens I’ve been thinking about the Supremes, who had scored their first No. 1 hit with “Where Did Our Love Go” the year prior. Known for performing in elaborate outfits and quietly sensual choreography, it’s clear that Berry Gordy and company molded these young women into an idealized notion of black femininity. Craving true romance and total devotion to the man of their dreams, yet stopping just shy of delivering ultimatums concerning bad behavior—a far cry from even the Spice Girls’ levels of manufactured girl power.
Still, there’s no denying how delightful an earworm “Stop! In The Name of Love” is. The soaring vocals, the “doo-doo-do-doo” refrain in the instrumental—it’s all aged like fine wine. Pristinely packaged and performed, it’s no wonder this single continues influencing pop music today.
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The song embodies the contradictions at the heart of Motown- giving the world fascinating grooves and stories that symbolized the emerging freedom Black people were enjoying in the U.S., while denying that very freedom financially to its artists.